Download PDF Frank Miller's Sin City Volume 1: The Hard Goodbye 3rd Edition (Sin City (Dark Horse)) By Frank Miller
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Ebook About The first volume of the crime-comic megahit that introduced the now-infamous Marv and spawned a blockbuster film returns in a newly redesigned edition, with a brand-new cover by Frank Miller-some of his first comics art in years!It's a lousy room in a lousy part of a lousy town. But Marv doesn't care. There's an angel in the room. She says her name is Goldie. A few hours later, Goldie's dead without a mark on her perfect body, and the cops are coming before anyone but Marv could know she's been killed. Somebody paid good money for this frame . . .With a new look generating more excitement than ever before, this third edition is the perfect way to attract a whole new generation of readers to Frank Miller's masterpiece! * Over a million Sin City books in print!* New cover by Frank Miller!* With Miller and codirector Robert Rodriguez gearing up for Sin City 2, this third edition is being released at just the right time!* The Hard Goodbye was the lead story in the Sin City film, starring Mickey Rourke as Marv!Book Frank Miller's Sin City Volume 1: The Hard Goodbye 3rd Edition (Sin City (Dark Horse)) Review :
Imagine getting punched in the gut by some rogue lunatic underworld gladiator who promptly collapses into your kitchen chair and chomps down on a bowl of cheerios with his oversized mitts as you crouch on the floor stunned and drooling blood…there’s a knock on the door and you pick up your corpse of a body to stare through the peephole at a knife-wielding leather-clad dame grimacing while rare classic cars skid onto the scene followed by screaming cop sirens tolling in debauchery and corruption…then the color drops out and real nice like everything goes noir… REVIEW OF VOLUMES 1-4, and 6: Frank Miller set his Sin City “yarns” in a timeless noir chronology. His inspiration was cool cars, hot dames, and muscle dudes in trench coats. Mission accomplished. The stories are put together in multiple volumes and flip back and forth in time, occasionally providing different perspectives from past scenes as the view point switches. The storylines interweave in expert ways over the course of the collections and it’s fun to see od characters come up again in the background or do things you haven’t seen before as you follow a new protagonist around with new problems and goals. The world he creates is not vast. Everything revolves around a single city and its outskirts, constantly driving inward at the characters who rule or fight or flee from this place. All the spots to which they bring you really manage to pop with a lurid black and white reality. Throughout the vast majority of narratives there is thoughtful inner monologue by the rotating cast (usually the protagonist but sometimes even secondary or background characters). We get a front seat ride in many heads, nestled right up against all the twisted struggles that torment these people. We also get to see the tarnished dreams and bitter regrets that motivate them to do what they do, whether it is for a perceived good or simply a personal selfish proclivity. Either way we are there with them in all the glory of what a first-person perspective can provide. This insight really fleshes out the people who inhabit the Sin City world and (along with the visuals) helps to distinguish the ensemble which further develops if you read through multiple volumes. The dialog is gritty and loose, mostly used sparingly. There were times I felt a repetition in the patterns and speech, but this ultimately complimented the strong distinct style being evoked. The mood was very specific and excellently achieved. Even though the stories are set in a nameless and timeless decade, they feel grounded and real. There is nothing generic here. The author did double duty in this series by also penciling the drawings. He also made the decision to go almost entirely black and white with almost no colors (with a few exceptions)—you can smell the plethora of black ink as you turn the pages. The resulting style is heavy handed, like everything else in this work, but utterly flawless in its delivery. His use of action and choosing what to show and when or how to show it all fell into place to maximize the narrative. The Sin City stories marry so many different elements in a perfect way that the creator is able to achieve amazing results without ever feeling over played or too intrusive. These are the hard streets of Basin City where the players make the rules and everyone else goes along, or they pay the price. Sometimes it’s the higher ups and sometimes it’s the dregs. Nobody is immune. People get caught up in their own rachets and games and sheer humanity of being human. Everything you could want in stories like this are here. The corruption, the violence, the passion, the dreams, the loyalty, the betrayal, the revenge, the comeuppance, the chase, the desperation—all of it! Podcast: If you enjoy my review (or this topic) this book and the movie based on it were further discussed/debated in a lively discussion on my podcast: "No Deodorant In Outer Space". The podcast is available on Apple Podcast, Spotify, Tune-In Radio, Stitcher, Google Play Music, YouTube or our website. So, I had no familiarity with this series other than the movies. As a fan of both films and a fan of the comic medium I decided to dive into Frank Miller's original noir spectacle. I was in no way disappointed. If you're familiar with the film at all, you know Marv is the psychotically driven towards revenge by the love for a dead hooker played by Mickey Rourke in the Robert Rodriguez adaptation. There were other stories that overlapped in the film which I'm sure will show up in the next installments as I get to them, but I must say, Marv is my dude. I was thrilled to just dive into his story exclusively, and loved the artwork. I will say, that I don't normally like black and white artwork, but it lent itself incredibly well to the noir style of the story, and also to the nightmarish quality of Sin City over all.The story itself is almost a scene for scene/panel for panel version of the film with a few detours in the overall story, but i found myself tearing through the graphic novel in less than an hour, and by the time I got to the last page I still felt like it was a new experience.Sin City. It's dark. It's grimy. It's no place you want to visit, and a place you cannot leave. A masterpiece. 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